Ainkurunuru (ஐங்குறுநூறு) APK - v1.0

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Version 1.0
Update
Size 4.96 MB
Category Books & Reference
Developer OneCoders
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⇣ Download APK (4.96 MB)

This is an original APK file direct fetch from google play. It is safe to download and free of any virus.

Basic Infos

License type Free
Version 1.0
Size 4.96 MB (5200315)
Filename com.onecoders.ainkurunuru_1_5200315.apk
Requirement 4.0.3 and up
Type app
Category Books & Reference
Package name: com.onecoders.ainkurunuru
Slogan:

App Permissions (inside APK file)


‣ android.permission.INTERNET
‣ android.permission.ACCESS_NETWORK_STATE
‣ android.permission.WAKE_LOCK
‣ com.google.android.c2dm.permission.RECEIVE
‣ com.onecoders.ainkurunuru.permission.C2D_MESSAGE


Features used


‣ android.hardware.touchscreen

Screenshots (5 images)

Ainkurunuru (ஐங்குறுநூறு) screenshot 1 Ainkurunuru (ஐங்குறுநூறு) screenshot 2 Ainkurunuru (ஐங்குறுநூறு) screenshot 3 Ainkurunuru (ஐங்குறுநூறு) screenshot 4 Ainkurunuru (ஐங்குறுநூறு) screenshot 5

About Ainkurunuru (ஐங்குறுநூறு) APK

Ainkurunuru (ஐங்குறுநூறு) poster
Ainkurunuru (ஐங்குறுநூறு) APK version 1.0 poster

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Ainkurunuru (ஐங்குறுநூறு) APK Description


Traditionally counted as one among the eight anthologies of classical Tamil verse, the Aiṅkuṟunūṟu (literally, “the Short Five Hundred,” by extension, “Five Hundred Short Poems”), is an anthology of akam (love) poems dating from the early decades of the third century C.E. The text consists of five sections, each containing one hundred poems. The individual poems range in length from three to six lines. Each section focuses on one of the five tiṇais (landscapes) of reciprocal love, a genre first described by the Tolkāppiyam, the earliest extant work on Tamil phonology, grammar, and poetics.

1 MARUTAM (100 Poems on Jealous Quarreling, by Ōrampōkiyār) (pp. 23-52)
A side from the one hundred poems included in the Aiṅkuṟunūṟu, Ōrampōkiyār composed seven additional marutam poems (Akanāṉūṟu 286 and 316; Kuṟuntokai 10, 127, and 384; Naṟṟiṇai 20 and 360). His most likely dates are 150 - 200. He was clearly a master of the ironic voice. He is also the author of Kuṟuntokai 70 (kuṟiñci) and 122 (neytal), and one Puṟanāṉūṟu poem, number 284. His strategic use of uḷḷuṟai (implied simile, the technique of employing a natural scene to describe actions, emotions, and characters) is a feature of nearly every one of his poems in the Aiṅkuṟunūṟu.

2 NEYTAL (100 Poems on Lamenting the Lover’s Absence, by Ammūvaṉār) (pp. 53-84)
Like Ōrampōkiyār, Ammūvaṉār’s dates are most likely 150 - 200. It is clear that he favored the neytal landscape: aside from the one hundred poems in the Aiṅkuṟunūṟu, he composed twenty-three additional neytal poems that appear in three other anthologies (five in the Akanāṉūṟu, ten in the Kuṟuntokai, and eight in the Naṟṟiṇai). He composed three pālai poems and only one in the kuṟiñci landscape. Neytal poems are set on the seacoast: in backwaters, brackish marshes, and on the sands of the beach. All seasons are appropriate for this landscape, and the poems are set at sunrise and sometimes at twilight

3 KUṞIÑCI (100 Poems on the Union of Lovers, by Kapilar) (pp. 85-122)
The most prolific of all the Tamil classical poets, Kapilar is the author of 206 poems in all. His work makes up a little under one tenth of the entire classical corpus. Based on internal evidence easily seen in the poems of the period, other poets held him in extremely high regard, and it is no wonder: his imagery and stunning similes are innovative, and his poems are full of unusual twists and turns that most other poets can only seem to mimic. Kapilar’s dates are most likely 140 - 200.

4 PĀLAI (100 Poems on Separation, by Ōtalāntaiyār) (pp. 123-156)
Ōtalāntaiyār, who, like the other poets of the Aiṅkuṟunūṟu, can be dated to around 150 - 200, wrote only pālai poems, and nothing is known about him. Aside from the one hundred here, only three other poems bear his name (Kuṟuntokai 12, 21, and 329).

Pālai poems are largely about the hardships of love and elopement and detail the grief caused by separation (pirital) from lovers, parents, friends, and eloping children. The pālai landscape has no conventionally assigned place per se, but it is described as an unbearably hot wasteland and as a place of transition between the kuṟiñci and mullai

5 MULLAI (100 Poems on Patient Waiting for the Lover’s Return, by Pēyaṉār) (pp. 157-186)
Pēyaṉār (whose name means “the demon”) can also be dated most likely to 150 - 200, and as with Ōtalāntaiyār, we know nothing about him. In addition to the one hundred mullai poems here, he composed two additional poems in the mullai landscape (Akanāṉūṟu 234 and Kuṟuntokai 400), one kuṟiñci poem (Kuṟuntokai 339), and one marutam poem (Kuṟuntokai 359). The main feature distinguishing Pēyaṉār’s poems from those of his fellow authors in the Aiṅkuṟunūṟu is that they contain hardly any uḷḷuṟais (implied similes). Traditionally counted as one among the eight anthologies of classical Tamil verse, the Aiṅkuṟunūṟu (literally, "the Short Five Hundred," by extension, "Five Hundred Short Poems"), is an anthology of akam (love) poems dating from the early decades of the third century CE The text consists of five sections, each containing one hundred poems. The individual poems range in length from three to six lines. Each section focuses on one of the five tiṇais (landscapes) of reciprocal love, a genre first described by the Tolkāppiyam, the earliest extant work on Tamil phonology, grammar, and poetics.

1 MARUTAM (100 Poems on Jealous Quarreling, by Ōrampōkiyār) (pp. 23-52)
A side from the one hundred poems included in the Aiṅkuṟunūṟu, Ōrampōkiyār composed seven additional marutam poems (Akanāṉūṟu 286 and 316; Kuṟuntokai 10, 127, and 384; Naṟṟiṇai 20 and 360). His most likely dates are 150-200. He was a master of the ironic voice clearly. He is also the author of Kuṟuntokai 70 (kuṟiñci) and 122 (neytal), and one Puṟanāṉūṟu poem, number 284. His strategic use of uḷḷuṟai (implied simile, the technique of employing a natural scene to describe actions, emotions, and characters) is a feature of nearly every one of his poems in the Ainkurunuru.

2 NEYTAL (100 Poems on Lamenting the Lover's Absence, by Ammūvaṉār) (pp. 53-84)
Like Ōrampōkiyār, Ammūvaṉār's dates are most likely 150-200. It is clear that he favored the neytal landscape: aside from the one hundred poems in the Ainkurunuru, he composed twenty-three additional neytal poems that appear in three other anthologies (five in the Akananuru, ten in the Kuruntokai, and eight in the Narrinai ). He composed three pālai poems and only one in the kuṟiñci landscape. Neytal poems on set are the seacoast: in backwaters, brackish marshes, and on the sands of the beach. All seasons are appropriate for this landscape, and the poems are sometimes set at at sunrise and twilight

 3 KUṞIÑCI (100 Poems on the Union of Lovers, by Kapilar) (pp. 85-122)
The most prolific of all the Tamil classical poets, Kapilar is the author of the 206 poems in all. His work makes up a little under one tenth of the entire classical corpus. Based on internal evidence easily seen in the poems of the period, other poets held him in extremely high regard, and it is no wonder: his imagery and stunning similes are innovative, and his poems are full of unusual twists and turns that most other poets can only seem to mimic. Kapilar's dates are most likely 140-200.

4 PĀLAI (100 Poems on Separation, by Ōtalāntaiyār) (pp. 123-156)
Ōtalāntaiyār, who, like the other poets of the Aiṅkuṟunūṟu, can be dated to around 150-200, wrote only pālai poems, and nothing is known about him. Aside from the one hundred here, only three other poems bear his name (Kuṟuntokai 12, 21, and 329).

Pālai poems are largely about the hardships of love and elopement and detail the grief caused by separation (pirital) from lovers, parents, friends, and eloping children. The landscape has palai no place conventionally assigned per se, but it is described as a place of transition between an unbearably hot as wasteland and the kurinci and mullai

 5 MULLAI (100 Poems on Patient Waiting for the Lover's Return, by Pēyaṉār) (pp. 157-186)
Pēyaṉār (whose name means "the demon") can also be dated most likely to 150-200, and as with Ōtalāntaiyār, we know nothing about him. In addition to the one hundred mullai poems here, he composed two additional poems in the mullai landscape (Akanāṉūṟu 234 and Kuṟuntokai 400), one kuṟiñci poem (Kuṟuntokai 339), and one marutam poem (Kuṟuntokai 359). The main feature distinguishing Pēyaṉār's poems from those of his fellow authors in the Aiṅkuṟunūṟu is that they contain hardly any uḷḷuṟais (implied similes).

How to install Ainkurunuru (ஐங்குறுநூறு) APK for Android


Download Ainkurunuru (ஐங்குறுநூறு) APK file (com.onecoders.ainkurunuru_1_5200315.apk) from APKPure.live, then follow these steps:

Update Phone Settings

  • Go to your phone Settings page
  • Tap Security or Applications (varies with device)
  • Check the Unknown Sources box
  • Confirm with OK

Go to Downloads

  • Open Downloads on your device by going to My Files or Files
  • Tap the APK file you downloaded (com.onecoders.ainkurunuru_1_5200315.apk)
  • Tap Install when prompted, the APK file you downloaded will be installed on your device.

How to install Ainkurunuru (ஐங்குறுநூறு) APK on Windows PC 7/8/10/11 or MAC?


Download Ainkurunuru (ஐங்குறுநூறு) APK file (com.onecoders.ainkurunuru_1_5200315.apk) from APKPure.live to your PC (ex: C://Users/xxx/Downloads/(com.onecoders.ainkurunuru_1_5200315.apk), then follow these steps appear on screen.

Using Emulator:

  • Download And Install one Emulator Softwares (Ex: Bluestacks, GenyMotion, NoxPlayer)
  • Simple install APK on PC by drag and drop file com.onecoders.ainkurunuru_1_5200315.apk on Emulator screen

Ainkurunuru (ஐங்குறுநூறு) APK Pros & Cons


Pros
  • This app is safe, it's not require high risk permissions
  • Compatible with 32 bit device (most Emulator using 32bit arch CPU)
  • Compatible with 64-bit device (some android device and current Bluestacks)

Cons
Everything is good.


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